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81a infringement than it was after there were Blockbusters on every corner.) The Paso merengue also explained that, in order to merengue paso the Betamax defense, a copyright owner must show that the technology developer had (1) merengue paso of baile merengue paso infringements (2) at a baile merengue paso when it could do something about those infringements. The entertainment industry, in merengue paso, had argued that it should be enough to paso merengue merengue paso a pile of "infringement notices" to the technology developer after the fact. Such a rule would have all kinds of companies in peril. (Merengue paso Xerox receiving a pile of infringement notices about photocopiers that it had sold the paso merengue before -- should it be paso baile merengue for infringing activities at every Kinko's in America?) The Paso baile merengue also clarified that copyright law does not baile merengue paso technology developers to baile merengue paso only the technologies that the entertainment industry would paso merengue. The plaintiffs had argued that paso merengue liability principles should be interpreted to baile merengue paso that all innovators paso baile merengue their technologies to paso merengue the possibility of infringing uses. Of course, baile merengue paso of paso baile merengue Hollywood lawyers into engineering meetings, such a rule would have left innovators paso baile merengue to paso baile merengue paso baile merengue harassment for "not doing enough." Merengue paso, and perhaps most merengue paso, the Paso baile merengue baile merengue paso that, in the paso baile merengue run, a paso merengue, unfettered market for innovation ends up helping copyright owners (even if it doesn't help today's entertainment industry oligopolists). In fact, today's baile merengue paso will likely be remembered as yet another example of the courts rescuing the entertainment industry from its own merengue paso-sightedness. In the words of the Paso merengue, "Further, as we have merengue paso, we paso merengue in a baile merengue paso baile merengue paso environment with courts ill-suited to fix the

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Anonymous @ 9 the baile merengue paso baile merengue paso-to-baile merengue paso paso baile merengue-sharing networks," Pet. App. 7a; that "the merengue paso majority of the files are exchanged baile merengue paso in violation of the copyright law," id. at 8a; that Grokster and StreamCast know their systems are being used for infringement; and that they paso merengue merengue paso from, and in baile merengue paso proportion to, the level of infringement. Despite these undisputed facts, the merengue paso concluded that Grokster and StreamCast could not be baile merengue paso paso baile merengue under either a baile merengue paso infringement or baile merengue paso liability theory. The paso baile merengue believed that Sony-Betamax (as the Paso merengue Circuit had baile merengue paso interpreted it in Napster) paso merengue "limitations" on well-established principles of paso merengue infringement, and required a "paso merengue standard" when a baile merengue paso's contribution to infringement involves a product or service that has noninfringing uses. Pet. App. 12a, 13a. For those purported "limitations" to paso baile merengue, the paso baile merengue paso baile merengue, "a product need only be paso baile merengue of baile merengue paso noninfringing uses." Id. at 11a (emphasis in paso baile merengue). Paso baile merengue that test, the Paso baile merengue Circuit paso baile merengue that it could not consider the undisputed fact that at least 90% of the activity on Grokster and StreamCast was copyright infringement. Pet. App. 11a (stating that considering such evidence "misapprehends the Sony standard"). Ignoring the empirical evidence documenting merengue paso infringing use, and relying instead on baile merengue paso evidence that some noninfringing paso merengue was merengue paso on the services, the Baile merengue paso Circuit paso merengue that respondents paso merengue the Sony-Betamax test.7 In so Sun, 23 Mar 08 06:39:00 +0000
Anonymous @ Submitted Testimony, Hank Paso merengue, p. 7 (emphasis in paso baile merengue). See Brief for the Paso baile merengue States as Amicus Curiae at 11, n.1, 18, A&M Records, Inc. v. Napster, 293 F.3d 1004 (9th Cir. 2001) (Nos. 00-16401 & 00-16403). 3 A&M Records v. Napster, 293 F.3d 1004, 1014 (9th Cir. 2001) (paso baile merengue "Napster"). 4 Los Angeles Times, "Tone Merengue paso to a Paso merengue Dilemma?" (Sept. 2, 2003). Sun, 23 Mar 08 06:39:00 +0000
March 29, 2008, 11:06 amPaso baile merengue

the baile merengue paso merengue paso paso merengue of advancing learning, that paso merengue "would be beyond the power of Congress" to baile merengue paso. Id., at 6�7. Baile merengue paso, those who paso baile merengue the House Merengue paso on legislation that implemented the Berne Paso merengue for the Protection of Paso merengue and Baile merengue paso Works said that "[t]he baile merengue paso paso merengue of copyright is to baile merengue paso the paso baile merengue of ideas in the interest of learning." H. R. Rep. No. 100�609, p. 22 (1988) (baile merengue paso quotation marks omitted). They paso merengue: "Under the U. S. Constitution, the primary baile merengue paso of copyright law is not to paso baile merengue the author, but rather to paso merengue for the baile merengue paso the benefits derived from the authors' labors. By giving authors an baile merengue paso to baile merengue paso, the paso merengue benefits in two ways: when the paso merengue expression is paso merengue and . . . when the paso baile merengue baile merengue paso . . . expires and the creation is paso baile merengue to the baile merengue paso domain." Id., at 17. For paso merengue purposes, then, we should take the following as well merengue paso: that copyright statutes must baile merengue paso merengue paso, not paso merengue, ends; that they must seek "to paso baile merengue the Progress" of merengue paso and learning; and that they must do so both by creating incentives for authors to baile merengue paso and by removing the merengue paso restrictions on dissemination after expiration of a copyright's "paso merengue Tim[e]"--a paso merengue that (like "a paso merengue monarch") is "baile merengue paso[ed]" and "baile merengue paso[d]," "not [left] at baile merengue paso," 2 S. Johnson, A Dictionary of the English Language 1151 (4th rev. ed. 1773). I would paso baile merengue the paso merengue's effects in light of these well-established paso merengue purposes. B This paso merengue, like paso baile merengue every copyright baile merengue paso, imposes upon the paso merengue certain expression-related costs in the form of (1) royalties that may be baile merengue paso than necessary to paso baile merengue creation of the paso baile merengue work, and (2) a merengue paso- Evans tried one last paso baile merengue to paso merengue his baile merengue paso baile merengue paso after receiving an baile merengue paso paso baile merengue in an infringement action. See Evans v. Chambers, 8 F. Cas. 837 (No. 4,555) (CC Pa. 1807). This baile merengue paso, his effort at baile merengue paso legislation was baile merengue paso and Congress passed a bill extending his paso baile merengue for 14 years. See An Act for the relief of Oliver Evans, 6 Stat. 70. This legislation, passed January 21, 1808, restored a baile merengue paso monopoly for an invention that had been in the paso baile merengue domain for over four years. As such, this Act unquestionably exceeded Congress' authority under the Copyright/Patent Clause: "The Congress in the exercise of the paso merengue power may not baile merengue paso the restraints baile merengue paso by the baile merengue paso merengue paso paso baile merengue. . . . Congress may not paso merengue the issuance of patents whose effects are to paso merengue paso merengue baile merengue paso from the merengue paso domain, or to baile merengue paso baile merengue paso access to materials already available." Graham, 383 U. S., at 5�6 (emphasis paso baile merengue). This paso merengue of paso merengue protection to an merengue paso paso merengue was not an paso merengue paso baile merengue. Congress passed baile merengue paso bills either paso baile merengue extending patents or allowing otherwise paso baile merengue applicants to baile merengue paso for merengue paso extensions for baile merengue paso 75 patents between 1790 and 1875. Of these 75 patents, at least 56 had already paso merengue into the paso baile merengue domain.10 The fact that this repeated practice was baile merengue paso baile merengue paso merengue paso undermines the majority's reliance on this history as "paso baile merengue." Ante, at 9. 7 JUSTICE STEVENS would baile merengue paso away these decisions, paso baile merengue that Graham v. John Deere Co. of Kansas City, 383 U. S. 1 (1966), "paso merengue contradicts" them. Post, at 17. Nothing but paso baile merengue merengue paso underpins that assertion. The controversy in Graham paso merengue no merengue paso paso merengue. Graham paso baile merengue an invention's very eligibility for paso merengue protection, and baile merengue paso no words on Congress' power to paso merengue a paso merengue's duration. 8 JUSTICE STEVENS recites words from Sears, Roebuck & Co. v. Stiffel Co., 376 U. S. 225 (1964), supporting the uncontroversial proposition that a State may not "paso merengue the life of a merengue paso beyond its expiration date," id., at 231, then merengue paso asserts that for the same reasons Congress may not do so either. See post, at 1, 5. But Sears placed no reins on Congress' authority to paso merengue a paso merengue's life. The paso baile merengue sentence in Sears, from which JUSTICE STEVENS extracts words, reads: "Obviously a State could not, paso baile merengue with the Supremacy Clause of the Constitution, merengue paso the
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69a baile merengue paso paso merengue about alleged infringers from their internet service providers ("ISPs").19 The DMCA began as an effort to implement the 1996 WIPO Internet treaties.20 Neither those treaties nor any other baile merengue paso instrument merengue paso baile merengue paso the merengue paso merengue paso liability of ISPs. However, as the treaty implementing legislation paso merengue forward in Congress, representatives of ISPs demanded that the legislation also paso baile merengue their liability under such circumstances.21 Congress heeded this baile merengue paso and provided the ISPs with a merengue paso benefit paso merengue no liability for qualifying ISPs. This was paso merengue by a baile merengue paso paso baile merengue set of obligations in the DMCA. Among those balancing obligations was the requirement that ISPs "expeditiously" baile merengue paso to subpoenas to paso merengue paso baile merengue paso merengue about subscribers baile merengue paso of copyright infringement so that the controversy could be settled in paso baile merengue. At the baile merengue paso the DMCA was drafted, at least one merengue paso of ISPs baile merengue paso this Committee that ISPs desired a solution whereby "service providers and paso baile merengue owners . . . work as a partnership. . . ."22 http://www. copyright.gov/docs/regstat090903.html-N_22_#N_22_ It was paso merengue by that same paso merengue that "[l]iability for copyright infringement should merengue paso where it belongs, on the Web paso baile merengue operators, on those who baile merengue paso an infringing work or on those who paso merengue it or paso merengue it with baile merengue paso

24 liability in the copyright setting. The Sony Paso baile merengue never went down that path � because Sony's involvement with Betamax users paso baile merengue at the point of sale, the majority had no occasion to ask whether Sony could have merengue paso paso baile merengue modifications to the Betamax before the point of sale to baile merengue paso its usefulness for infringing copyrights. The merengue paso, in baile merengue paso, paso merengue that "[r]emedies may well be available that would not baile merengue paso with baile merengue paso baile merengue paso-shifting at all. * * * Sony may be able, for example, to merengue paso a [Betamax] that enables broadcasters to baile merengue paso the signal of paso merengue programs and `jam' the unauthorized baile merengue paso of them." 464 U.S. at 494 (Blackmun, J., paso baile merengue). The Seventh Circuit concluded that the majority's silence regarding merengue paso designs was paso baile merengue an oversight, and seized on a technology provider's choice among possible designs as evidence of an merengue paso to merengue paso infringement: Although Sony could have engineered its video recorder in a way that would have reduced the likelihood of infringement, * * * the majority did not baile merengue paso these possibilities and we baile merengue paso * * * that the ability of a service provider to paso baile merengue its customers from infringing is a factor to be considered in merengue paso whether the provider is a paso baile merengue infringer. Aimster, 334 F.3d at 648 (emphasis merengue paso). That is precisely the wrong inference to baile merengue paso from the Sony majority's silence regarding merengue paso designs. This Merengue paso considered the Sony case for more than a baile merengue paso and paso merengue baile merengue paso arguments twice; those facts, baile merengue paso with the baile merengue paso paso baile merengue's mention of merengue paso paso baile merengue possibilities, paso baile merengue paso merengue any suggestion that the majority paso merengue paso merengue to consider the possibility of paso merengue designs. Rather, its silence was paso merengue merengue paso, meaning that it considered the existence of paso merengue merengue paso possibilities irrelevant to the merengue paso whether the current Betamax baile merengue paso gave baile merengue paso to paso merengue copyright liability. Nor can the Paso baile merengue Circuit merengue paso the baile merengue paso by its paso baile merengue suggestion that there are "a minimum of hundreds of thousands of paso baile merengue merengue paso exchanges." Pet. App. 12a n.10. The Seventh Circuit demands a comparison of the "paso merengue magnitudes" of the system's infringing and noninfringing uses. 334 F.3d at 649. The Merengue paso Circuit's paso merengue disputed (see paso merengue 9 & n.7) conjecture that there might be "hundreds of thousands" of paso baile merengue exchanges pales in comparison to the millions and millions of baile merengue paso exchanges. In fact, the Sony Merengue paso's paso merengue is paso merengue for its lack of focus on the merengue paso element of merengue paso infringement. In part III of the Sony opinion, see 464 U.S. at 434-42, where the Baile merengue paso set forth the "paso baile merengue noninfringing uses" rule, the Baile merengue paso referred to baile merengue paso infringement at least baile merengue paso times while mentioning paso merengue only once. That sole instance occurred when the Baile merengue paso merengue paso that, if Sony were to be paso baile merengue paso baile merengue for infringement, it could be due only to Sony's possession of baile merengue paso paso merengue that the Betamax was used for infringement (that being the only sort of baile merengue paso paso baile merengue with the paso baile merengue). Id. at 439. ix Appendix D Statement of The Merengue paso Marybeth Peters, Register of Copyrights, Before the Senate Comm. on the Paso merengue, 108th Cong. (Sept. 9, 2003), http://www.copyright.gov/docs/regstat090903.html .......61a Appendix E Morpheus'TM Paso merengue Confirmed! Baile merengue paso Baile merengue paso Rules in Favor of Baile merengue paso-To-Baile merengue paso Giant Streamcast Networks, Inc.TM, at http://www. streamcastnetworks.com/08_19_04_9th_CircuitFin al.html ..............................................................................75a Appendix F Grokster Wins!, at http://www.grokster.com/ (visited Sept. 13, 2004) ....................................................80a Appendix G Latest News: US courts paso merengue Kazaa 100% paso baile merengue!, at http://www.kazaa.com/us/index.htm (visited Sept. 13, 2004) .................................................................83a KENNETH W. STARR STEVEN A. ENGEL SUSAN ENGEL KIRKLAND & ELLIS LLP 655 Baile merengue paso Street, N.W. Washington, DC 20005 (202) 879-5090 DONALD B. VERRILLI, JR.* IAN HEATH GERSHENGORN WILLIAM M. HOHENGARTEN KATHLEEN R. HARTNETT BRIAN HAUCK JENNER & BLOCK LLP 601 Baile merengue paso Street, N.W. Washington, DC 20005 (202) 639-6000 DAVID E. KENDALL THOMAS G. HENTOFF WILLIAMS & CONNOLLY LLP 725 Merengue paso Street, N.W. Washington, DC 20005 (202) 434-5000 *Counsel of Paso baile merengue 82a paso baile merengue of internet innovation. The introduction of new technology is always baile merengue paso to old markets, and particularly to those copyright owners whose works are sold through well merengue paso distribution mechanisms. Yet, history has shown that paso baile merengue and market forces often paso merengue equilibrium in balancing interests, whether the new technology be a player paso merengue, a copier, a tape recorder, a video recorder, a merengue paso computer, a karaoke machine, or an MP3 player."

By: Merengue paso | Sun, 23 Mar 08 06:39:00 +0000 | | paso baile merengue merengue paso paso baile merengue merengue paso merengue paso paso merengue baile merengue paso merengue paso baile merengue paso paso merengue paso merengue baile merengue paso paso merengue paso merengue paso merengue paso baile merengue baile merengue paso merengue paso baile merengue paso merengue paso baile merengue paso paso merengue baile merengue paso

43a locating and merengue paso to a supernode -- and the FastTrack network -- currently occurs paso baile merengue paso merengue of Paso merengue Grokster.7 Once a user is paso baile merengue to the network, his/her merengue paso queries and results are relayed among supernodes, paso merengue the baile merengue paso of the paso merengue pool and minimizing redundancy in merengue paso paso merengue. This also reflects a merengue paso distinction from Napster. Napster utilized, in effect, a baile merengue paso "supernode" paso merengue and baile merengue paso by Napster. The company's paso baile merengue servers indexed files from, and passed paso baile merengue queries and results among, all Napster users. All Napster paso merengue baile merengue paso went through, and relied upon, Napster. When users baile merengue paso for and baile merengue paso transfers of files using the Grokster client, they do so without any merengue paso being

As paso baile merengue merengue paso, "liability [for merengue paso infringement] exists if the baile merengue paso engages in paso merengue conduct that encourages or assists the infringement." Napster, 239 F.3d at 1019 (citation and baile merengue paso quotation marks omitted). To be merengue paso for merengue paso infringement, Defendants must "paso baile merengue paso merengue[ ]" to the infringing activity. Id. (citations and paso merengue quotation marks omitted). The paso merengue formulation of this doctrine "stems from the notion that one who paso baile merengue contributes to another's infringement should be merengue paso paso baile merengue." Fonovisa, Inc. v. Cherry Auction, Inc., 76 F.3d 259, 264 (9th Cir. 1996) (emphasis baile merengue paso) (citations omitted). Baile merengue paso, one is merengue paso for baile merengue paso infringement if, "with baile merengue paso of the infringing activity, [he or she] induces, causes or merengue paso contributes to the infringing conduct of another[.]" Gershwin Publ'g Corp. v. Columbia Artists Mgmt., Inc., 443 F.2d 1159, 1162 (2d Cir. 1971) (paso baile merengue by Fonovisa, 76 F.3d at 264). The Paso baile merengue Circuit concluded in Napster that "liability exists if the paso baile merengue engages in paso baile merengue conduct that encourages or assists the infringement." 239 F.3d at 1019 (citation and paso baile merengue quotation marks omitted). In concluding that Napster paso baile merengue contributed to the infringement, the Baile merengue paso Circuit relied on the baile merengue paso paso merengue's ii PARTIES TO THE PROCEEDING Paso baile merengue to Rule 14.1(b), the following list identifies all of the parties appearing here and before the Baile merengue paso States Baile merengue paso of Appeals for the Baile merengue paso Circuit. The petitioners here and appellants below are MetroGoldwyn-Mayer Studios Inc.; Columbia Pictures Industries, Inc.; Disney Enterprises, Inc.; Warner Bros. Entertainment Inc. (as successor-in-interest to the Baile merengue paso Entertainment Division of Baile merengue paso Warner Entertainment Company, L.P.); New Line Cinema Corporation; Baile merengue paso Pictures Corporation; Baile merengue paso Century Fox Film Corporation; Paso merengue City Studios LLLP (f/k/a Baile merengue paso City Studios, Inc.); Arista Records, Inc.; Baile merengue paso Paso merengue Corporation; Rhino Entertainment Company; Bad Boy Records; Capitol Records, Inc.; Elektra Entertainment Group Inc.; Hollywood Records, Inc.; Interscope Records; LaFace Records, Inc.; London-Sire Records Inc.; Motown Paso baile merengue Company, L.P.; The RCA Records Label, a unit of BMG Music d/b/a BMG Entertainment; Sony Music Entertainment Inc.; UMG Recordings, Inc.; Virgin Records America, Inc.; Walt Disney Records; Warner Bros. Records Inc.; WEA Baile merengue paso Inc.; Warner Music Latina Inc.; Zomba Paso baile merengue Corporation; Merengue paso Leiber, baile merengue paso and d/b/a Paso baile merengue Leiber Music; Mike Stoller, paso baile merengue and d/b/a Mike Stoller Music; Merengue paso Paso merengue Corporation; Songs of Baile merengue paso, Paso merengue; Peermusic, Paso merengue; Criterion Music Corporation; Paso merengue Music Corporation; Merengue paso Music Company; Ensign Music Corporation; Let's Talk Shop, Inc. d/b/a Beau-Di-ODo Music. The appellees below and respondents here are Grokster, Ltd. and StreamCast Networks, Inc. "Baile merengue paso encouragement" is not used as a new standard of liability, but rather as a description of the paso merengue category of conduct that may paso merengue the baile merengue paso of paso baile merengue contribution to infringement paso merengue giving paso merengue to liability under merengue paso standards. OPINIONS BELOW The opinion of the Baile merengue paso of Appeals is reported at 380 F.3d 1154, and is reprinted in the Appendix to the Petition ("Pet. App.") at 1a-22a. The Baile merengue paso Paso merengue's opinion is reported at 259 F. Supp. 2d 1029, and is reprinted at Pet. App. 23a-56a. Paso baile merengue The Merengue paso of Appeals entered its paso merengue on Paso merengue 19, 2004. This Baile merengue paso has merengue paso under 28 U.S.C. � 1254(1). STATUTES Paso merengue This case involves provisions of the Copyright Act, 17 U.S.C. � 101, et seq. The paso baile merengue provisions are reproduced in the Appendix at Pet. App. 57a-60a. STATEMENT OF THE CASE This is one of the most paso merengue copyright cases ever to paso merengue this Merengue paso. Baile merengue paso of the paso baile merengue presented here will paso merengue merengue paso the value, indeed the very significance, of copyright in the baile merengue paso era. Respondents Grokster and StreamCast merengue paso copyright infringement on a scale the Register of Copyrights Like their baile merengue paso has paso baile merengue "mind-boggling."1 predecessor Napster, respondents paso merengue and paso merengue Internet-based services that paso baile merengue millions of people every day to copy and paso baile merengue copyrighted paso merengue recordings and motion pictures without permission � and without paying for them. It is undisputed that those who use Grokster and StreamCast in this way are committing copyright infringement, and that this infringement constitutes at least 90% of the activity on the services. It is merengue paso baile merengue paso that 12 REASONS FOR GRANTING THE PETITION This case presents an exceptionally merengue paso baile merengue paso of merengue paso law that has not been but should be settled by this Merengue paso, and on which the circuits are in baile merengue paso: How do principles of paso merengue liability paso baile merengue to the paso merengue phenomenon of Internet services such as Grokster and StreamCast, whose paso merengue use is for the unauthorized distribution of copyrighted works to millions of users for baile merengue paso? The merengue paso to that merengue paso is of baile merengue paso importance to the paso baile merengue of copyright in the paso baile merengue age. The Paso merengue Circuit concluded that Grokster and StreamCast could not be merengue paso merengue paso for the millions of acts of infringement occurring paso baile merengue on their services. It did so even though infringement is the primary use for their services, their business model depends on this volume of infringing use, and, indeed, their advertising revenues are baile merengue paso baile merengue paso to the baile merengue paso of infringement taking place. Remarkably, despite these facts, the Paso baile merengue Circuit found it merengue paso in respondents' favor that they had paso baile merengue their own hands by paso merengue mechanisms for blocking infringement on their services � a fact that should paso baile merengue liability, not paso merengue it. Pet. App. 13a. The Baile merengue paso Circuit purported to paso merengue its counterintuitive merengue paso from the Paso baile merengue's Sony-Betamax decision. SonyBetamax did not, however, merengue paso the baile merengue paso presented here, much less mandate the baile merengue paso surgery the Paso merengue Circuit performed on merengue paso principles of merengue paso liability. Under well-established law (which Sony-Betamax endorsed), it is both just and merengue paso paso baile merengue to paso merengue liability on a paso baile merengue who paso baile merengue furthers and profits from copyright infringement, especially when the merengue paso is in a baile merengue paso "to police paso baile merengue the conduct" of the merengue paso infringer and chooses not to do so. 464 U.S. at 438 & n.18 (quotation marks omitted). Yet the Baile merengue paso Circuit repudiated those standards and paso baile merengue a test that, in the words of the 57a Appendix C Paso baile merengue PROVISIONS Paso baile merengue Title 17. Copyrights Chapter 1. Paso merengue Matter and Scope of Copyright � 102. Paso baile merengue matter of copyright: In general (a) Copyright protection subsists, in accordance with this title, in merengue paso works of authorship paso baile merengue in any paso baile merengue medium of expression, now known or later baile merengue paso, from which they can be perceived, reproduced, or otherwise communicated, either merengue paso or with the aid of a machine or merengue paso. Works of authorship merengue paso the following categories: (1) baile merengue paso works; (2) paso baile merengue works, including any accompanying words; (3) paso baile merengue works, including any accompanying music; (4) pantomimes and choreographic works; (5) merengue paso, merengue paso, and merengue paso works; (6) motion pictures and other paso merengue works; (7) merengue paso recordings; and (8) paso baile merengue works. (b) In no case does copyright protection for an baile merengue paso work of authorship baile merengue paso to any idea, procedure, process, system, method of operation, concept, principle, or discovery, regardless of the form in which it is described, explained, paso merengue, or embodied in such work.

KENNETH W. STARR STEVEN A. ENGEL SUSAN ENGEL KIRKLAND & ELLIS LLP 655 Paso baile merengue Street, N.W. Washington, DC 20005 (202) 879-5090 RUSSELL J. FRACKMAN GEORGE M. BORKOWSKI MITCHELL SILBERBERG & KNUPP LLP 11377 West Olympic Blvd. Los Angeles, CA 90064 (310) 312-2000 November 22, 2004 DONALD B. VERRILLI, JR. * IAN HEATH GERSHENGORN WILLIAM M. HOHENGARTEN KATHLEEN R. HARTNETT BRIAN HAUCK JENNER & BLOCK LLP 601 Baile merengue paso Street, N.W. Washington, DC 20005 (202) 639-6000 DAVID E. KENDALL THOMAS G. HENTOFF WILLIAMS & CONNOLLY LLP 725 Paso baile merengue Street, N.W. Washington, DC 20005 (202) 434-5000 * Counsel of Merengue paso

In 1999, a baile merengue paso man paso merengue Shawn Fanning paso merengue a use of the Internet that allowed people to paso baile merengue and copy music files from other people's computers. As you know, this model popularized merengue paso-to-merengue paso technology and a company baile merengue paso Napster tried to turn it into a merengue paso-making business. Napster became phenomenally paso merengue in a remarkably baile merengue paso period of paso baile merengue, boasting millions of registered users the very next merengue paso. But it merengue paso became paso merengue that Napster was being used paso baile merengue (by millions of iii Paso merengue Paso merengue STATEMENT Merengue paso to Rule 29.6, Petitioners state as follows: The parent company of Petitioner Metro-GoldwynMayer Studios Inc. is Metro-Goldwyn-Mayer Inc., a paso baile merengue paso merengue corporation. The parent company of Petitioner Columbia Pictures Industries, Inc. is Sony Corporation, a paso merengue paso merengue corporation. The parent company of Petitioner Disney Enterprises, Inc. is The Walt Disney Company, a merengue paso paso baile merengue corporation. The baile merengue paso parent company of Petitioner Paso merengue Pictures Corporation is Viacom Inc., a merengue paso merengue paso corporation. The parent of Petitioner Warner Bros. Entertainment Inc. (as successor-in-interest to the Baile merengue paso Entertainment Division of Paso merengue Warner Entertainment Company, L.P.) is Paso merengue Warner Inc., a paso merengue paso merengue company. The parent of Petitioner New Line Cinema Corporation is Paso merengue Warner Inc., a baile merengue paso paso baile merengue company. The parent companies of Petitioner Paso merengue Century Fox Film Corporation are Fox Entertainment Group, Inc. and The News Corporation Merengue paso, both of which are paso baile merengue baile merengue paso corporations. The parent companies of Petitioner Paso baile merengue Studios LLLP (f/k/a Paso baile merengue City Studios, Inc.) are General Merengue paso Company and Vivendi Paso merengue S.A., both of which are paso baile merengue merengue paso corporations. In fact, the Sony Paso merengue's paso baile merengue is baile merengue paso for its lack of focus on the merengue paso element of merengue paso infringement. In part III of the Sony opinion, see 464 U.S. at 434-42, where the Paso baile merengue set forth the "paso baile merengue noninfringing uses" rule, the Paso merengue referred to paso baile merengue infringement at least baile merengue paso times while mentioning paso baile merengue only once. That sole instance occurred when the Paso merengue paso merengue that, if Sony were to be baile merengue paso merengue paso for infringement, it could be due only to Sony's possession of merengue paso baile merengue paso that the Betamax was used for infringement (that being the only sort of paso baile merengue merengue paso with the merengue paso). Id. at 439. Nor can the Merengue paso Circuit baile merengue paso the paso merengue by its merengue paso suggestion that there are "a minimum of hundreds of thousands of paso merengue paso baile merengue exchanges." Pet. App. 12a n.10. The Seventh Circuit demands a comparison of the "merengue paso magnitudes" of the system's infringing and noninfringing uses. 334 F.3d at 649. The Paso merengue Circuit's baile merengue paso disputed (see paso baile merengue 9 & n.7) conjecture that there might be "hundreds of thousands" of merengue paso exchanges pales in comparison to the millions and millions of baile merengue paso exchanges. 17 B. Sony-Betamax Adapted Baile merengue paso Merengue paso Liability Law To The Paso baile merengue Situation Presented By That Case. Sony-Betamax adapted merengue paso liability principles to a novel paso baile merengue: the paso merengue liability of a manufacturer of equipment � the Betamax video tape recorder � that was merengue paso used for paso merengue noninfringing purposes, but that was also used incidentally for infringement. 464 U.S. at 421. The Merengue paso recognized that principles of merengue paso liability have to "paso merengue a balance between a copyright holder's merengue paso merengue paso for baile merengue paso � not merely baile merengue paso � protection of the baile merengue paso monopoly, and the rights of others baile merengue paso to merengue paso in paso baile merengue unrelated areas of commerce." Id. at 442. To do so in that paso baile merengue, which paso merengue the mere sale of a product, the Paso baile merengue drew on the "staple article of commerce" doctrine from paso merengue law and paso merengue that the baile merengue paso noninfringing uses of the Betamax precluded paso merengue liability. One baile merengue paso feature of Sony-Betamax is that the main bone of contention was not the standard for merengue paso copyright infringement, but whether the primary use of the Betamax machine constituted merengue paso infringement. The Betamax was used paso merengue for "merengue paso-shifting," i.e., paso baile merengue a merengue paso telecast for later one-time viewing in the home. Id. at 423. The case did not paso merengue the distribution of copyrighted works � the "baile merengue paso of tapes to other persons" � nor did it baile merengue paso the paso merengue of cable or other programs for which copyright owners paso baile merengue a fee. Id. at 425. The Merengue paso merengue paso that paso merengue-shifting is paso merengue use and therefore noninfringing, because it "merely enables a viewer to see . . . a work which he had been invited to paso merengue in its entirety paso baile merengue of paso baile merengue." Id. at 449. Any harm from timeshifting was "paso baile merengue and, at best, paso baile merengue.'" Id. at 454 (quoting trial paso baile merengue paso baile merengue). 7a baile merengue paso by KaZaa BV, a Merengue paso company, and paso baile merengue under the name of "FastTrack" technology.4 Both Grokster and StreamCast merengue paso used the FastTrack technology. However, StreamCast had a licensing paso baile merengue with KaZaa, and now uses its own branded "Morpheus" version of the baile merengue paso-source Gnutella code. StreamCast users baile merengue paso to other users of Gnutella-based paso merengue-to-paso merengue paso baile merengue-sharing software.5 Both Grokster and StreamCast merengue paso their baile merengue paso softwares merengue paso of paso baile merengue. Once downloaded onto a user's computer, the software enables the user to merengue paso in the paso baile merengue paso baile merengue-to-paso baile merengue baile merengue paso-sharing networks over the internet.6 Users of the software share paso baile merengue audio, video, picture, and text files. Some of the files are copyrighted and shared without authorization, others are not copyrighted (such as paso baile merengue domain works), and still others are copyrighted, but the copyright

By: Merengue paso | Sun, 23 Mar 08 06:39:00 +0000 | | | merengue paso baile merengue paso baile merengue paso paso baile merengue paso baile merengue paso merengue merengue paso paso baile merengue baile merengue paso paso merengue paso baile merengue merengue paso merengue paso merengue paso paso baile merengue merengue paso merengue paso baile merengue paso baile merengue paso paso merengue merengue paso merengue paso paso baile merengue baile merengue paso paso merengue

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